6.11.24

i wrote this letter from Crete a few weeks ago. But then Helene happened + much more pacing began than action. + it became irrelevant to what was happening back home. Back in the U.S. now + able to get distance from this writing + also able to dissuade the initial guilt of not being home, i will send this into he wilds of whyfi + trusting it will find distant screens to light up.


i do love packing up + leaving.

i believe my favorite part of my tiny life is viewing it from the other side of the planet. i like people not knowing who the hell i am -  that, assuming i'm anyone at all. i like not having to plan. i like not taking care of a lot of things, not having much to keep up w/. Having experiences that were not on any list. The uncomfortable-ness of it. Of really not knowing what + where. A denominator perhaps. 


The older i get, the more  i understand the paradox of choice + having too many. 

It's getting heavy in here. Your turn if you want to take it. 


The more time i use up the more i believe time doesn't count. 

But i need more time to be sure.


Difficult to explain how beautiful it is here, just now. Saying that, knowing there is beauty everywhere. There are vultures in the mountains that surround + trap this village to the sea. You can see them circling  every now + again. i hear goat bells from in the hills, + mistake them for far off church bells. The frèska froùta kai lachanikà man visits coming in a blown up open bed red Toyota red mini truck tented w/ a tarp w/a bullhorn strapped to the top of the cab. i name him the ice-cream man because he uses music to call out to the village upon his approach. Thing though, that gets me to come out onto the balcony, + eventually head down to buy, is that as he is drifting down the ziggy mountain cliff road, w/ his the greek hurdy-gurdy music blasting, as gargled it is, ricochets back + echos trapped between the cliffs + sea. there is a resounding reverb inside this cavernous bowl traveling up + then back down in a beautiful answering to itself. 


Working the relative into the absolute. i need to practice that. Like a friend described in the process of writing. Same in visuals. Always, always pulling away the web looking for the eternal muse that comes to play. Some days i look way past it, neglecting that it was in front of me waving frantically all along. Ah, that true quiet profound excitement.


Feeling the pull home. Just a bit. If i concentrate. 


i have that familiar feeling, as though i need to be where i’m going to end up, so i can be there a while. 

Sending love.











2.4.24






When it's ‘ok’ from both sides…

 it reminds me of those cartoons where you put your foot out there + you get flattened by traffic.


i don’t watch the news at night. Because strangers faces will taint my nighttime dreams. i will dream a wall of confusion. + already i awake not knowing if my dreams were partial films i have seen recently, or in fact, where dreams. Sometime it all seems like the 42nd dimension.


If only it had some deeper meaning. Sometimes a dream is something so obvious it becomes embarrassing.


My realization upon waking this morning is that i EVER loose my mind, i want an unknowing bliss to transfer  w/ it’s absence + so to not to realize i’ve lost it —  because waking + knowing you have lost your mind is very frightening.


Life is such an add on…. my greatest relationships have been w/ other artists. Working. Collaborating. That’s always been my true quite profound excitement. 


Off-book sometimes means that i unknowingly forget to drag the playbook along. It’s then that i’m really listening to another + find it easier to give back + communicate in a bona fide way … not planning + composing an answer before i know what is needed.


We are older we need to permit ourselves to be off-book. We have worked at this life + have the last 40+ years of push behind us - if we allow ourselves, yes, we know what to say in the next 5 minutes. As to any craft any, it took 40 years + another 5 minutes to complete. + that’s my pep talk to you + myself. 


-above+ below practicing the back-to-basics




 

24.3.24



 What are we suppose to steal? 
+ what to give freely.

Such a nice Costa Rican memory. Thumbing for rides, + the kindness of being picked up. He-hawing + pitching along the road in the back of old trucks w/ the work men. Paying them back by impressing quick pencil portraits. Caricatures nearly. Parlor tricks really.

Dissociative fugue - imbued w/ inspiration. i remain an unreliable narrator.

Paying in cryptomnesia arrears. W/ me, cryptomnesia wins most of the time. But i may have figured that before now. + i have probably said it before now. + even before that.

Many have said in many different ways that repeating something over + over again, + expecting different results is a sign of madness.

i’m looking for the poetry in that…

Wierd.
Where DOES this shit come from?

don't mind rocking the boat. Don't mind constant change + unexpected spinning backward + love nothing more than to adapt. i know i’m dizzy just now. Tattoo reminder that we’re all in this human condition thingy together. Some things we really +honestly cannot take personally.

no pressure…

Last week i was in miami till tomorrow. 
Squirreling around. 

But, you know, i live in a dream world.
 
Yea.

31.1.24

 











A crop rotation of odd thoughts; 

Logos + logic involved.

i unpack the strings to start the engine.

Blues leaning over to wag.

The creative thrust of a head turner + briar rose. The iconic ending of all endings.


How shall I defend the wax fortress of my love? An undiscerning gaze took in all that is simple and inconceivable and I understood life had slipped from my grasp. -from the film / the color of pomegranates


i remember the warm fuzzy of tea at an outdoor cafe in autumn, steaming into the air + mingling w/ cloud-like breaths from bodies rushing by.

Reaching for + not noticing the slip back. 

The anguish of slowing down to a stop.

Stupefied at love taking a back seat to the overwhelming work at hand.

The innocence of  playing records + falling in love in an afternoon — seeing it happen.


i wont say blind, but it’s devastatingly romantic. It’s dark + tormented w/ the furor of passion, the despair of an unattainable idealism. 


yes i’m a romanic; kill me now.


Reminded of Yeats + Spiritus Mundi. 

The collective memories of the universe of all time.

Tapping into spiritus mundi for the first time ever. 

While in kindergarten.


Rest on that.